We are looking for an Interior Designer to join our Melbourne Team!
Part Two of our student work showcase is the work of recent graduate Rachel Hur. Rachel has just completed her Masters of Architecture at Melbourne University.
This semester was 4 months of research and design to come up with a final design proposal for my independent thesis project. The project was for a transitional facility in Ararat. The brief was for 20 residential living units, with a few programs spaces (library, recreational space and communal kitchen) and staff areas (interview rooms, pharmacy and office areas).
No facility within Australia exists for those transitioning from prison to society. This thesis demonstrates that a design with the form and function of walls can allow for this transition. The design utilizes a singular, curved wall that creates spatial moments which in its concave and convex forms articulate different levels of transition. The design overlays a gradient over the selected site as an abstraction of the journey of transition. The element of the wall plays on the perimeter wall, a typical boundary of a prison. In everyday residencies, there are many forms of permeable and solid property boundaries, thus the wall is present in both instances of penitentiary and residential typologies.
This design proposes a gradient within the program as well, allowing residents of the facility different degrees of control and choice through the varying spaces. This project unites both elements of wall and gradient to explore the spatial journey from imprisonment to freedom.
This week we will be showcasing some of the amazing work that our students have produced throughout the year. First up is Justine Lenkiewicz's studio work, as well as her Tower Project.
PROJECT BRIEF: BOOMHouse Studio explored a share-house typology as a solution to the aged care crisis currently facing Australia. Throughout the semester, a range of housing scales were explored. The final project was a single house occupying one lot that would address the needs of four Baby Boomer couples who have decided to live together in a single share-house scenario. The focus throughout the semester was largely on combining facilities, child care and medical support, and providing appropriate dignified, private accommodation as needed; in order to encourage the integration of young seniors back into the larger community, and ensure their contribution and relevance to society is maintained. The final aim was to provide options that were spatially efficient, functionally desirable, affordable and attractive, in the context of the world’s most liveable city, Melbourne.
CONCEPT: My aim was to take a universal approach so that people of all backgrounds, shapes and sizes could have equal access to all the spaces. I employed a single-storey concept with a variety of communal spaces, and shared facilities. Creating layers of privacy was important to cater to individual personality types and needs, as well as to buffer the highly active zones from the more passive zones of the house. Bedrooms were designed to all be equal in size, orientation and access to daylight. A series of vertical strip windows and brick penetrations in the north facade allow dappled light to filter into the rooms throughout the day while keeping heat gain minimal. The presence of the existing tree resulted in a courtyard space that allowed the building to huddle around the tree. This formed an introverted shape with little nooks for reading, private study, and a small kitchenette. The lightwell corridor is something I carried on throughout my projects in this studio. It stems from the concept of changing light and shadow symbolising transitional spaces. The corridor becomes the moment the residents transition between the passive house and the active house.
The corridor in the BOOMFlat project behaves as the buffer zone between the bedroom and the open plan living spaces. In addition to creating a physical separation between the areas, it also houses the laundry facilities and the study zone adding further layers of privacy. Passing through an external threshold leads to the “active” house. Orienting the building to the north and pushing it to southern boundary enabled the creation of a large northern outdoor courtyard and for the spaces to sprawl out and become a lot more extroverted in contrast to the passive side. An open plan arrangement, coupled with the use of generous glazing and sliding doors allows enables fluid movement between the spaces and encourages social activity as boundaries are blurred.
Using a raked ceiling allows the spaces to visually extend out to appear bigger and allow pleasant wintery sun to come through while blocking out harsh summer sun. White brick veneer has been used for its solid, timeless quality; thermal mass benefits and it’s unique production history in Melbourne’s northern suburbs. The skylight level uses a lightweight blueboard cladding material with a white rendered texture finish to blend in with the rest of the building. Extended parapet walls allow the “brick wall” to become a main feature of the house. A darker ‘monument’ colour for the roofing creates a simple contrast in colours.
Timber batten screening is used to delineate spaces such as the carport - which creates a visual barrier from the front of the street and also provides shading from the western sun – as well as the dry court from the outdoor dining area.
PROJECT BRIEF: The European Cultural Capital program is an initiative to promote the diversity of European Cultures within member states, instill a sense of belonging in Europeans, and foster contribution of culture to the development of cities. A strong focus on local and community involvement saw Leeuwarden surpass much bigger cities, such as Amsterdam and Eindhoven, in their bid for the European Cultural Capital 2018. These core values combine to create the overarching ‘Iepen Mienskip’ (open community) theme for the 2018 program. The city will host the program for one year. The program is viewed as an opportunity, not only for the city, but also the province of Friesland, to generate cultural, social and economic benefit that will help foster urban regeneration and boost awareness and tourism by raising it’s profile on an international scale.
Our brief was to create a series of design interventions for sites in and around the city, in anticipation of the program and the level of traffic it will bring. The site for my project was the Blokhusipoort, a thriving hub of small creative businesses that will soon house the city’s library and a youth hostel. Since it was transformed from a prison in 2007, the inhabitants of the unique precinct have created a strong identity within the community. Today, the complex houses 130 small creative companies, a theatre, the popular Cafe de Bak, Frisian Design Factory, and the Headquarters for Leeuwarden 2018.
The Turbine Tower site intervention looks towards 2040 with a longer-term solution for the site, when Leeuwarden has reaped the cultural and economic benefits of hosting the Cultural Capital and has become a gained international recognition and the Blokhuispoort has become a landmark tourist destination for people visiting Friesland.
CONCEPT: The Turbine Tower aims to become an iconic radio communications tower, in the heart of Leeuwarden City, following it’s successful run of the European Cultural Capital Program. It is as once a point of connection and wayfinding, exhibition of materiality and history, and cultural symbolism of the core ‘iepen mienskip’ (open community) values that create the overarching theme of the year long festival, taking place in Leeuwarden, Friesland in 2018.
Guymer Bailey Brisbane came alive on Friday night when we once again opened our doors to clients, consultants, friends, family and the community for a night of Art. Paintings, sculptures and photography were proudly displayed by the staff who created them, along with the series of Kandinsky artworks that had been made the week prior in afternoon Art Class.
Over $1000 was raised on the night through the sale of entry and raffle tickets, donations made directly to our fundraising page and through the sale of donated artworks. All funds raised are donated directly to Hear and Say – a not-for-profit organisation that supports children with hearing loss to listen and speak so that they can attend regular school, have wider career choices and can more fully participate in their community.
ART SHOW SPONSORS // our amazing sponsors who made Friday night possible.
And to those who donated directly to our Everyday Hero page for Hear and Say -
Greg Killen – Greg Killen Consulting Engineers
Cameron Gorrie – Building Certifiers Australia
Greg Hamilton – Hdesign
Nerada Spellacy – Guymer Bailey Architects
Suzanne Goodson – Guymer Bailey Architects
Chris Collins – Taking Shape, Toowong
In preparation for this years Art Show, our Brisbane studio were treated to an afternoon in the park with local Art Teacher Rachel Austin.
Guymer Bailey Architects invites you to their annual fundraiser art show in support of Hear and Say.
Guymer Bailey's Principal Landscape Architect, Rob Waddell will be presenting at the AILA QLD awards showcase this Thursday!
Hear from Rob Waddell, Guymer Bailey Landscape on the details of the project: Mary Cairncross Scenic Reserve at the upcoming Awards Showcase on Thursday 3 August in Brisbane. Register online at www.aila.org.au/qldevents
The jury comments: the project represents a a highly successful collaboration between landscape architect and architect, where the outcome is a seamlessly integrated nature tourism facility. The Landscape Architect’s engagement with traditional owners shows respect to cultural and environmental values of the site. The landscape design greatly enhances the visitor experience to the site, unifying the building with the surrounding rainforest and is a worthy recipient of a Landscape Award.
The Awards Showcase will be held over breakfast and feature 3 award winners speaking on their projects.