STUDENT WORK | NEW GRADUATE JUSTINE LENKIEWICZ

At the end of last year we showcased some of our students work - one of which was Justine Lenkiewicz from our Melbourne office. Fast forward 6 months, and Justine has recently completed her Master of Architecture. 

Agenda
Jack’s Magazine is an utterly unnatural, man-made terrain caught between the threshold of passive suburbia and organic natural landscape. This thesis will explore the site as a gradient between the urban and natural dichotomy, focusing on water as the element that brings the nature back into to the human through physical connection to space and spiritual connection to self. It will explore the site as a series of experiential moments that will form the filtering process from one end of the spectrum to the other. At which point has the threshold been crossed? Is it perhaps more about the liminal space between these polarities, the journey, rather than the destination?


to bathe is to fall into step with your biological rhythms, in and out breathing, the speed of blood coursing through your veins, the slowness of tiredness…the mechanical world of objective time, seconds, minutes, hours – is irrelevant here. Taking a bath properly requires being able to guiltlessly linger, hang out, and do nothing whatsoever.

Design Statement
Saltwater Springs will be an urban oasis, a centre for physical and mental wellbeing, at the former Jack’s Magazine site. As a junction between dense urbanism and natural landscape, the site will bridge the broken ecological and social connections that humans have with nature and within themselves. Water is a source of life and it will be the element that heals the site. In its untainted form, it imitates physical and spiritual purity and cleansing. The healing process will begin by physically restoring the eroded banks of the Maribyrnong River and reconnecting the former canal. This will clear the conscience and allow for the mental healing process to begin. Meandering boardwalks throughout the new landscape will lead you to the centre of the site - an adaptive reuse of the former gun powder magazine buildings where a program of various meditation, hydrotherapy and balneotherapy techniques, will allow one to rejuvenate the self.


Floor plans, sections and renders

Hero render: Justine Lenkiewicz (Graduating work)

CALDARIUM: Justine Lenkiewicz

 VISTA: Justine Lenkiewicz

VISTA: Justine Lenkiewicz

MASTERPLAN: Justine Lenkiewicz

ENTRY: Justine Lenkiewicz

WETLANDS: Justine Lenkiewicz

Unlike the luxury and privacy of modern day spa houses, the traditional public bath house was once an intense community centre for social gatherings in our cities – a vital public space for social, cultural and political exchange. The first public baths in Ancient Greece and Rome arose from a communal need for cleanliness, at a time when most people did not have access to private bathing facilities, and were traditionally segregated based on gender. They consisted of three basic interconnected rooms – the caldarium, the tepidarium and the frigidarium. The Roman frigidarium was a cold water pool that patrons would immerse themselves in as preparation, before moving into the warmer rooms. The Ottomans introduced the Islamic ablution ritual into the bathing experience. The body had to be purified and rid of sin before entering the bath rooms, and they believed this could only be achieved through running water. The body was prepared by a cleansing ritual involving a laconicum – a hot dry steam room, to open the pores, a shower, and a sea salt scrub down. The sequencing of rooms was hence also reversed, so that you would enter through hottest rooms and move progressively through to the coldest, before finishing off with refreshing cold running water in the sudatorium, a hot wet steam room.

Despite varying typology, culture and tradition, the bath house has always been an institution for health, socialization and pleasure – a central aspect to community life.

We are living in increasingly urbanized environments, that distance us from nature and from ourselves. Lack of quality open space has a flow on effect onto inactivity and lack of connectedness, which in turn leads to reduced quality of life. The bath house offers a powerful sensorial sanctuary from the stressors and rabid consumerism of our modern age life. It is a place for stillness and reflection, wellness and mindfulness. It blurs the boundaries of traditional male and female ablution, of public and private, and of communal and personal. It is a place of anti-conflict, anti-competition and anti-hierarchy. The armor of our daily lives are discarded with our clothes, and the perils of our overworked, overstressed lives melt away with the steam.

Located at the threshold of man-made terrain of passive suburbia and organic natural landscape, the site represents a state of tension. It captivates visitors with its cavernous barrel vault interiors and the height of its massive earth mounds. But beyond the fortifying perimeter wall, the site has a fragmented relationship with its surroundings. Rapid urbanization in the area is reducing the quality the biodiversity and greenery in the space. We see this represented in the ecological destruction of the banks of the Maribyrnong and the intensity of flooding that occurs in the area. As we become distanced from nature, we see correlations between deteriorating mental and physical health. In a systems worldview, one can only truly thrive if the other does as well.

Water is the element that resolves this tension and brings nature back into the human through physical connection to space and spiritual connection to self.

Jack’s Magazine is protected by heritage status and is seen as a significant historical and cultural landmark for Victoria’s industrial and military past. But apart from the impressive scale of the man-made blast mounds, local Victorian bluestone construction and grand barrel vault interiors - the site is a barricaded and confined, degenerative and withdrawn place that stands for social and ecological destruction. Is this something that Victorian’s should value and uphold? By definition, adaptive reuse uses an old space or building and revitalizes it with new life and purpose that is socially and environmentally appropriate to its context.

Saltwater Springs will bring relief to the physical barriers of the site, regenerate ecologically and spiritually for flora, fauna and human to flourish, contribute to the community by addressing issues that have been identified by locals, and invigorate Jack’s Magazine.

GUYMER BAILEY TAKE ON THE RIVER TO ROOFTOP CHALLENGE

Congratulations to the girls from Guymer Bailey Brisbane who took on the River to Rooftop challenge on Friday. 

Team Guymer Bailey after conquering the 1040 step climb

ABOUT RIVER TO ROOFTOP
River to Rooftop is a great opportunity to have fun and get fit whilst raising awareness and to help make a difference for women and kids experiencing domestic violence. Women's Legal Service helps mothers and their kids to secure safer futures. They provide free services providing practical legal tools to help women living with domestic violence and each year aid more than 11,000 women and with them, over 17,000 children.  

In one week the team raised just under $800 - and there is still time to donate. Simply click on the button below to be taken to the Guymer Bailey fundraising page. 

Mary Cairncross Scenic Reserve wins 2018 AIA Award for Sustainable Architecture

Mary Cairncross Scenic Reserve wins 2018 Australian Institute of Architects Award for Sustainable Architecture

Mary Cairncross Scenic Reserve Cafe (lower level), and viewing deck (upper level)

Guymer Bailey Architects was announced as the winner of the coveted 2018 Australian Institute of Architects Harry Marks Award for Sustainable Architecture, for the design of the Mary Cairncross Scenic Reserve, an iconic conservation, recreation, education and tourism asset located in the Sunshine Coast Hinterland.

The Award, which recognises projects that excel as architecture, and also displays innovation and excellence in terms of environmental sustainability, was awarded to Guymer Bailey Architects in design collaboration with local Designer Norman Richards Design and Interiors.  The new Discovery Centre and Café was designed for the Sunshine Coast Regional Council to strengthen the role the Reserve plays in the conservation and display of local flora and fauna.

The Discovery Centre, which also received a commendation in the Public Architecture category, nestles sensitively into Mary Cairncross Scenic Reserve’s complex nitophyll vine forest, one of the last remaining examples of this vegetation community that once covered the Blackall Ranges. Inside, the Centre contains innovative rainforest interpretative displays and has two frontages to provide spectacular views of both the Glass House Mountains and rainforest reserve.

Outside, a long timber boardwalk loops around the building allowing scenic access and learning opportunities for visitors with informative signage featured along the way. Sensitive to the heavily protected forest, the boardwalk was threaded through the existing flora to minimise the building footprint. To further minimise disruption, plant species endemic to the area were used for additional landscaping, and most of the design materials were sourced locally.

Phil Jackson, Director and design architect of Guymer Bailey Architects on the project has this to say about the project and win.

Mary Cairncross is an incredibly important project to us, and everyone involved. With such an amazingly beautiful and well-loved site, we were conscious of the responsibility the team carried to the community to create a special building and landscape. 

The design and delivery was genuinely collaborative from start to finish, and we wish to thank all those involved. We are humbled by the recognition the project has received, particularly for sustainability, as it reinforces our commitment to responsible, sustainable design for the community.”

To view the Mary Cairncross Scenic Reserve project click here:

RAVENHALL PRISON NAMED AUSTRALIA’S BEST INFRASTRUCTURE PROJECT

Victoria’s $670 million Ravenhall Prison Project has been named as Australia’s best infrastructure project at Infrastructure Partnerships Australia’s National Infrastructure Awards.

Ravenhall Prison - Original concept design

“It is exciting to see the Ravenhall Prison Project win the Project of the Year Award as it is the first privately delivered prison project Victoria has seen in about 20 years – delivered on-budget and on-time”
— IPA Chief Executive Adrian Dwyer.

Gatehouse

“The Ravenhall Prison Project fundamentally transforms the way that support is provided to people in the justice system in Victoria.

“In a Victorian first, the proponents will oversee all elements of the prison’s operations, including custodial services, with performance targets to directly reduce the rate of recidivism.

“Australia is a world leader in bringing together the public and private sectors through Public Private Partnerships (PPPs) to deliver better outcomes for the community.

“The Ravenhall Prison Project is a stellar example of the evolution of the PPP model in Australia and shows what can be achieved when the public and private sectors collaborate to achieve good outcomes.

“I pass on my congratulations to the winners of the Project of the Year Award tonight,” Mr Dwyer said.

Transitions Hub Courtyard

Community 4 

Cell Building Day Room

Internal recreation space


The National Infrastructure Awards are convened by Infrastructure Partnerships Australia each year, recognising excellence in public administration and business, across major projects. The Project of the Year is the most prestigious of the Awards.

MARY CAIRNCROSS | REALISING OUR VISION

MARY CAIRNCROSS | REALISING OUR VISION

We are looking back on our original concept for the redevelopment of the Mary Cairncross Scenic Reserve Discovery Centre. 

MARY CAIRNCROSS | BREAKFAST WITH THE BIRDS

 Elevated walkway through existing trees at Mary Cairncross (Photography: Scott Burrows)

Elevated walkway through existing trees at Mary Cairncross (Photography: Scott Burrows)

Looking for another reason to visit Mary Cairncross Scenic Reserve? Why not join the Sunshine Coast chapter of Birdlife Australia for morning bird walks. The group meets at the back gate to the reserve, on alternative Saturday and Wednesday mornings.

To book tickets and to find out more visit the Sunshine Coast Council website via the link below.

NEW SHEPPARTON LAW COURTS | IN THE NEWS

Set to open in just two days, the new Shepparton Law Courts have been in the news once again. 

In this article, The Age discusses the design of the new Shepparton Law Courts with Architectus Director Mark Wilde, providing insight into how the building itself will help to alleviate stress for its users.

 Shepparton's new court building is designed to minimise stress and intimidation, in part via transparent building materials. 

Shepparton's new court building is designed to minimise stress and intimidation, in part via transparent building materials. 

Today, rather than intimidate, courts the world over are increasingly designed to alleviate stress.
— Ray Edgar, The Age

The Shepparton Law Courts is a joint venture project between Architectus, GHD Woodhead and Guymer Bailey Architects. This is the second joint venture courthouse that Guymer Bailey has worked with Architectus on, the first being the award winning Queen Elizabeth II Courts of Law in Brisbane. 


Shepparton Law Courts Project Team
Builder: ADCO Construction
Principle Consultant: Architectus Group Pty LtdGHD Woodhead and Guymer Bailey Architects
Project Manager: Ontoit
Quantity Surveyor: Wilde and Woolard

Is Sustainability the future of Education?

Sustainability in schools is something that our Director Phil Jackson is passionate about, and is a key design driver when working with schools and communities through Architectural and Landscape design. In this TEDx Bangkok Prep teacher Kris Leverton addresses the importance of learning about sustainability in the classroom. 

SHEPPARTON COURTS | WORK IN PROGRESS

Work in progress photos from Shepparton Law Courts – Practical completion is expected next week for Stage 1 works.

IMG_8894.jpg
For monthly progress updates follow @CourtSVic on Twitter and #SheppCourts
— Court Services Victoria

Project Team

Builder: ADCO Construction

Principle Consultant: Architectus Group Pty Ltd, GHD Woodhead and Guymer Bailey Architects

Project Manager: Ontoit

Quantity Surveyor: Wilde and Woolard

CYCLE OF GIVING 2018

Raising fund for medical research, yesterday cyclists from Guymer Bailey Architects took part in the annual Cycle of Giving charity ride.

Passionate about supporting the community that supports us, and fostering a culture of sustainability and philanthropy through our organisation, Guymer Bailey supports many charities and community events throughout the year.

 Team Guymer Bailey cycling towards the finish line

Team Guymer Bailey cycling towards the finish line

Pictured above, cyclists from Guymer Bailey Architects took part in the annual Cycle of Giving ride (100km), to raise funds for organ transplant research and awareness for organ donation.

At any one time, there are about 1500 Australians waiting for an organ or tissue donation to save their lives. Without medical research finding better ways to source, match and transplant organs, this list is only going to get bigger. The money that is raised for the 2018 Cycle of Giving goes towards key research organ transplant projects at The Prince Charles Hospital.

This was the fifth year that Guymer Bailey took part in the cycle - a cause very close to our hearts as we have seen first hand how Organ Donation can transform a persons life. 

Although the cycle is over, we will still be fundraising for the next couple of weeks, with every dollar making a difference. 


To find out more about the medical research at The Prince Charles Hospital - https://www.cycleofgiving.org.au/champion/2018/page?articleid=170

To find out more about Organ and Tissue Donation in Australia - https://register.donatelife.gov.au/

To learn more about the charities Guymer Bailey supports - https://www.guymerbailey.com.au/corporate-responsibility

STUDENT WORK | Rachel Hur

Part Two of our student work showcase is the work of recent graduate Rachel Hur. Rachel has just completed her Masters of Architecture at Melbourne University. 

'The Wall'

This semester was 4 months of research and design to come up with a final design proposal for my independent thesis project. The project was for a transitional facility in Ararat. The brief was for 20 residential living units, with a few programs spaces (library, recreational space and communal kitchen) and staff areas (interview rooms, pharmacy and office areas).

3D render: Rachel Hur

No facility within Australia exists for those transitioning from prison to society. This thesis demonstrates that a design with the form and function of walls can allow for this transition. The design utilizes a singular, curved wall that creates spatial moments which in its concave and convex forms articulate different levels of transition. The design overlays a gradient over the selected site as an abstraction of the journey of transition. The element of the wall plays on the perimeter wall, a typical boundary of a prison. In everyday residencies, there are many forms of permeable and solid property boundaries, thus the wall is present in both instances of penitentiary and residential typologies.

Plan: Rachel Hur

This design proposes a gradient within the program as well, allowing residents of the facility different degrees of control and choice through the varying spaces. This project unites both elements of wall and gradient to explore the spatial journey from imprisonment to freedom.

3D render: Rachel Hur

The form and function of singular, curved wall creates a transitional journey from incarceration to freedom.
— Rachel Hur

3D render: Rachel Hur

STUDENT WORK | Justine Lenkiewicz

This week we will be showcasing some of the amazing work that our students have produced throughout the year. First up is Justine Lenkiewicz's studio work, as well as her Tower Project. 

BOOMHouse Studio

BOOMFlat Sectional Perspective linework FINAL

PROJECT BRIEF: BOOMHouse Studio explored a share-house typology as a solution to the aged care crisis currently facing Australia. Throughout the semester, a range of housing scales were explored. The final project was a single house occupying one lot that would address the needs of four Baby Boomer couples who have decided to live together in a single share-house scenario. The focus throughout the semester was largely on combining facilities, child care and medical support, and providing appropriate dignified, private accommodation as needed; in order to encourage the integration of young seniors back into the larger community, and ensure their contribution and relevance to society is maintained. The final aim was to provide options that were spatially efficient, functionally desirable, affordable and attractive, in the context of the world’s most liveable city, Melbourne.

CONCEPT: My aim was to take a universal approach so that people of all backgrounds, shapes and sizes could have equal access to all the spaces. I employed a single-storey concept with a variety of communal spaces, and shared facilities. Creating layers of privacy was important to cater to individual personality types and needs, as well as to buffer the highly active zones from the more passive zones of the house. Bedrooms were designed to all be equal in size, orientation and access to daylight. A series of vertical strip windows and brick penetrations in the north facade allow dappled light to filter into the rooms throughout the day while keeping heat gain minimal. The presence of the existing tree resulted in a courtyard space that allowed the building to huddle around the tree. This formed an introverted shape with little nooks for reading, private study, and a small kitchenette. The lightwell corridor is something I carried on throughout my projects in this studio. It stems from the concept of changing light and shadow symbolising transitional spaces. The corridor becomes the moment the residents transition between the passive house and the active house.

The corridor in the BOOMFlat project behaves as the buffer zone between the bedroom and the open plan living spaces. In addition to creating a physical separation between the areas, it also houses the laundry facilities and the study zone adding further layers of privacy. Passing through an external threshold leads to the “active” house. Orienting the building to the north and pushing it to southern boundary enabled the creation of a large northern outdoor courtyard and for the spaces to sprawl out and become a lot more extroverted in contrast to the passive side. An open plan arrangement, coupled with the use of generous glazing and sliding doors allows enables fluid movement between the spaces and encourages social activity as boundaries are blurred.

Using a raked ceiling allows the spaces to visually extend out to appear bigger and allow pleasant wintery sun to come through while blocking out harsh summer sun. White brick veneer has been used for its solid, timeless quality; thermal mass benefits and it’s unique production history in Melbourne’s northern suburbs. The skylight level uses a lightweight blueboard cladding material with a white rendered texture finish to blend in with the rest of the building. Extended parapet walls allow the “brick wall” to become a main feature of the house. A darker ‘monument’ colour for the roofing creates a simple contrast in colours.

Timber batten screening is used to delineate spaces such as the carport - which creates a visual barrier from the front of the street and also provides shading from the western sun – as well as the dry court from the outdoor dining area.

Turbine Tower

PROJECT BRIEF: The European Cultural Capital program is an initiative to promote the diversity of European Cultures within member states, instill a sense of belonging in Europeans, and foster contribution of culture to the development of cities. A strong focus on local and community involvement saw Leeuwarden surpass much bigger cities, such as Amsterdam and Eindhoven, in their bid for the European Cultural Capital 2018. These core values combine to create the overarching ‘Iepen Mienskip’ (open community) theme for the 2018 program. The city will host the program for one year. The program is viewed as an opportunity, not only for the city, but also the province of Friesland, to generate cultural, social and economic benefit that will help foster urban regeneration and boost awareness and tourism by raising it’s profile on an international scale.

Our brief was to create a series of design interventions for sites in and around the city, in anticipation of the program and the level of traffic it will bring. The site for my project was the Blokhusipoort, a thriving hub of small creative businesses that will soon house the city’s library and a youth hostel. Since it was transformed from a prison in 2007, the inhabitants of the unique precinct have created a strong identity within the community. Today, the complex houses 130 small creative companies, a theatre, the popular Cafe de Bak, Frisian Design Factory, and the Headquarters for Leeuwarden 2018.

The Turbine Tower site intervention looks towards 2040 with a longer-term solution for the site, when Leeuwarden has reaped the cultural and economic benefits of hosting the Cultural Capital and has become a gained international recognition and the Blokhuispoort has become a landmark tourist destination for people visiting Friesland.

CONCEPT: The Turbine Tower aims to become an iconic radio communications tower, in the heart of Leeuwarden City, following it’s successful run of the European Cultural Capital Program. It is as once a point of connection and wayfinding, exhibition of materiality and history, and cultural symbolism of the core ‘iepen mienskip’ (open community) values that create the overarching theme of the year long festival, taking place in Leeuwarden, Friesland in 2018.